- Publisher's Note
- Editorial
- Memories of a Master
- The Gallery as Print Studio
- Printer as Pedagogue
- Perspectives of an Outsider
- Ghosts in the Machines
- Digitalization and Contesting Digitalization
- The Body in Woodcut
- Evoking Symbol and Redefining Space
- The Almanac of Debian Delight
- Permanent State of Suspension
- Perspectives on Survival
- A Look at Printmakers from Australia, Canada and Bangladesh
- Atin Basak: His Artistic Pursuit
- Chor Bazaar, Mumbai
- Didn't We Often Wish We Lived in a Time of Ancient Glory
- The Buddhist Heritage of Pakistan: Art of Gandhara, the Asia Society Museum, New York
- Slivery Facets of Golden Diamonds from Golconda
- Ulysse Nardin: Keepers of History
- Venice Biennale
- What Happened with “Deconstruction India”
- Publication of Graphic Folio by the Members of Society of Contemporary Artists, 2010
- A Blitzkrieg of Creative Impulses
- Let's Paint the Sky Red- A Solo Show of Late Artist Manjit Bawa
- Raghu Rai: Invocation to India - A Variegated Matrix of the Human Predicament
- Rise of Prints
- The Story So Far
- What Happened and What's Forthcoming
- Art Bengaluru
- Art Events Kolkata
- Musings from Chennai
- Mumbai Art Sighting
- Few Printmakers from North East: A Brief Glance at the Contemporary Practices
- Previews
- In the News
ART news & views
Chor Bazaar, Mumbai
Volume: 4 Issue No: 20 Month: 9 Year: 2011
Photo Essay
by Vikram Zutshi
Chor Bazaar located in South Mumbai, is one of the largest flea markets in India. The word Chor means "thief". Initially, though, it was called Shor Bazaar; Shor in Hindi meaning “noise”. The place was noisy and full of chaos. It still remains so. Chor Bazaar is Mumbai's famous market where tourists rummage for Ming vases and Antiques at throwaway prices. The main avenue is Mutton Street, flanked by rows of little antique shops that sell just about anything at bargain prices.
