- Publisher's Note
- Editorial
- Love of Life (that) Spills Over
- A Continuing Multiplication
- From Painting to Print
- Intimate Involvement
- Portrait of the Artist as an Old Man
- (Hi)Story of the Garhi Printmaking Studios, New Delhi
- Surinder Chadda
- Ramendranath Chakravorty
- Group 8
- Mother and Child: A Screenplay
- Straddling Worlds
- A Brief History of Printmaking at Santiniketan
- Vignettes from History
- Southern Strategies
- The Forgotten Pioneer: Rasiklal Parikh
- Printmaking in the City Of Joy
- Amitabha Banerjee: His Art and Aesthetic Journey
- Local Style and Homogenizing trends: Early Medieval Sculpture in Galaganatha
- English China: Delicate Pallid Beauty
- The Beauty of 'Bilal'
- Photo Essay
- The Way of The Masters: The Great Artists of India 1100 –1900
- Striving Towards Objectivity
- The Art of Sculpting In the Contemporary Times
- An Artistic Framework for an Alternative to Ecology
- Bidriware and Damascene Work in Jagdish and Kamla Mittal Museum of Indian Art
- A Lowdown on the Print Market
- The 'bubble' and the 'wobble'
- What Happened and What's Forthcoming
- Art Bengaluru
- Art Events Kolkata: June – July 2011
- Musings from Chennai
- Mumbai Art Sighting
- Previews
- In the News
- Christie's Jewellery Auction at London, South Kensington
ART news & views
Photo Essay
Volume: 3 Issue No: 19 Month: 8 Year: 2011
by Vikram Zutshi
AFTERMATH explores the humanity prevalent in situations of extreme anguish and personal destruction, using the Garib Nagar fire in Mumbai on 7th of March, 2011 as a backdrop.
It is a photo essay portraying the resilience, resolve and poignancy of a community that has lost everything they have ever known, yet manages to steal moments of joy in the midst of devastation.
